Luke 22

And Now You Know is a hauntingly beautiful ballad, with unique voicings, set in an ECM/Vince Mendoza style. Originally a guitar vehicle, it can also feature vibes or tenor sax with the optional

Ave Maria has become one of Schubert's most popular works, performed and recorded by a wide variety and large number of musicians. This arrangement features lead trumpet solo along with a clarinet

Ballad for Sonia is a slow funk-ballad that features trombone and piano soloists. The groove begins with the rhythm section and the solo piano which plays the first statement of the main theme.

Gerry Mulligan's composition A Ballad, originally done on the same 1953 session as Westwood Walk, has a George Shearing-esque piano, guitar, bass statement on the theme, which is then

This extremely popular patriotic song makes a return in a small band arrangement. This ballad treatment is reminiscent of Neal Hefti's classic arrangements for the Count Basie Orchestra. The features

Blue Eyes is a trumpet/flugelhorn solo feature, and can also be done as an optional soprano sax solo feature.  As always, the dynamics and tempo are at the discretion of the

This tribute to the great tenor player, Michael Brecker, provides a brilliant feature for the first tenor sax player. Built around the style of Brecker when Percival first saw him at the Bottom Line in

A moving and respectful tribute to Cannonball Adderley, this alto sax and bass feature reminisces on the ballad and medium swing aspects of Cannonball's playing. The chart begins with a free modal bass

Bassist Jon Hamar's Clarity is a pensive and open, even eighth-note selection, beautifully adapted to the jazz sextet format. The original sextet instrumentation is scored for alto, tenor, trumpet,

Quoting the composer: "Since my wife and I both completed our graduate work, we have relocated a number of times. Each December as we gear up for the holidays, it leaves us thinking, "I wonder where we will

Here's a beautiful alto saxophone ballad beginning with a slow 32-bar song form and building to a double time tenor solo and sax soli. It winds down with a return to the bridge in a double time feel and the